Successful playwright Felix Webb has a new play, 'The Hit Man', in rehearsal. Directed by his old friend Humphrey, it is already being hailed as a masterpiece; but Felix can't enjoy his success. He has fallen passionately in love with Hilary, a beautiful, fiesty young actress, and is preparing to desert his perfect family, his wife Elena and three lively children. His intolerable situation is further complicated when Humphrey casts Hilary as one of the leads in 'The Hit Man'. Enter Robin Grange, a charismatic young Hollywood actor making his London theatre debut. Robin is attractive, charming and dangerous, and soon inveigles his way into everyone's life. He ingratiates himself with the cast and, quickly grasping Felix's dilemma, sets about weaving his web of mischief. He suggests that if he were to seduce Elena, she would be distracted from Felix's affair, regain her self respect, and perhaps even willingly part from the unfaithful husband to whom she clings...

Ashlyn longs to be on stage, but her inability to accept herself keeps her from pursuing that dream. When confronted with the opportunity to audition for the lead role in her school's play, Ashlyn must decide whether to hide who she is or risk showing herself.

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Everyone is happy for rising Asian American actor GQ Qi – the network, his mother, his best friend – everyone except GQ himself. Heʼs stuck playing an offensive stereotype on a sitcom, and the day he decides to speak up for himself on set, the executive producer fires him. Struggling to pick up the pieces, he starts dating casting director Rachel. Love and work become intertwined.

Everyone is happy for rising Asian American actor GQ Qi – the network, his mother, his best friend – everyone except GQ himself. Heʼs stuck playing an offensive stereotype on a sitcom, and the day he decides to speak up for himself on set, the executive producer fires him. Struggling to pick up the pieces, he starts dating casting director Rachel. Love and work become intertwined.

An idealistic British drama school teacher, Jodi Rutherford, persuades a cynical South African farmer to prepare her for a role in a major film as an Afrikaans war heroine. In return Jodi undertakes to direct the annual concert on the Willemse farm. Jodi's interaction with the quirky small town citizens and the stubborn Kobus, teaches her that: "there is more to life than lights... camera... and action!"

"John Smith's Leading Light evolves a sense of screen depth and surface through the simple agency of light. The film is shot in a room over a period of a day and records the changes in light through the single window. The image is controlled through manipulation of aperture, of shutter release, of lens, but the effect is more casual than determined and the spectator is aware primarily of the determining nature of following sunlight." 　　Deke Dusinberre 'Perspectives on British Avant-Garde Film' catalogue 1977

A self-made medical student and an aspiring anchorwoman find their friendship -- and their dreams -- tested by a fateful tragedy.

Holly is tired of moving every time her mom Jean breaks up with yet another second-rate guy. To distract her mother from her latest bad choice, Holly conceives the perfect plan for the perfect man, an imaginary secret admirer who will romance Jean and boost her self-esteem.

By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.